This month sees the premiere of an audiowalk production that’s the final piece of the repertoire programme I helped to create during my time at Riksteatern. As part of the production, I wrote and recorded a reflection on the future.
I’ve co-written a play for the Royal Dramatic Theatre, Stockholm about what it’s like when the Anthropocene is your day-job.
This October, as the leaves gather in the gutters of Stockholm, a gang of artists, writers, performers and theatre makers will set off on a journey.
In the fifth issue of Crossed Lines, I introduced my new role as leader of artistic and audience development at Riksteatern, Sweden’s touring national theatre.