Talking with the Hexayurt inventor about the Institute for Collapsonomics and the origins of the Black Elephant.
He is a novelist, an art critic, an essayist, a storyteller, but when I picture him with the tools of his trade, it is holding a scythe.
When Paul and I wrote the Dark Mountain manifesto, our hope was start a conversation. Over the past few weeks, we’ve been encouraged by how far this has spread, and by the range and thoughtfulness (in most cases) of the responses we’ve received.
The pamphlet that launched the Dark Mountain Project and shaped much of the work that I’ve done since.